CARLITOS ESPINOZA & MAJO MARTINERA
Chile / Uruguay
Carlitos started to dance the tango about fifteen years ago. Fan of closed embrace, he defines his dance as a combination of tradition and evolution, integrating roots such as the traditional milonguera style to the tango dynamics. He has a passion for exploring the Argentine tango by choosing himself the way he defined his style. Due to this reason, he is a unique dancer with an outstanding style. The dynamics and the musicality, the music transfer in the movements of the body make his dance an extremely sensual experience. During these last few years, Carlitos has been invited as an interpreter and teacher in the biggest international tango events, especially with Noélia Hurtado.
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Majo was born in Uruguay, where she started to dance at the age of 16 years. She has worked as a dancer and a teacher in different cities of the country, until she was invited by Dana Frigoli to be a part of her company, DNI Tango, at Buenos Aires. She worked there for six years as a teacher and dancer of the company, dancing in the most important theaters and milongas of Buneos Aires. She started traveling across the world working in different festivals and international schools with Rodrigo Fonti. She has also been invited in a number of festivals and collaborated with different professors such as Mariano Chicho Frumboli and Horacio Pebete Godoy.
Carmen Aguiar
Née à Montevideo, où le Tango fait partie de la culture populaire, Carmen se forme depuis toute petite à toutes formes de danses (classique, contemporain...).
Elle vient en Europe pour continuer ses recherches sur l’art, le mouvement par les techniques occidentales et orientales dans le but d’en faire une synthèse et une adaptation.​ Très vite elle se forme au Tango avec entre autres : Esther & Mingo Pugliese, Rodolfo & Maria Cieri, Gloria & Eduardo Arquimbao, Rodolfo Dinzel....
Elle intègre les 'Trottoirs de Buenos Aires', avec Victor Convalia, en 1985. Les recherches de Carmen l’ont amenée, au-delà de la danse, à créer une association dont elle est directrice artistique et pédagogique depuis 22 ans: l’ADEC.
Son ambition est d’utiliser la danse à la fois comme instrument d’éducation, de thérapie, d’épanouissement personnel et d’intégration sociale. Son expérience fait d'elle une enseignante remarquable qui transmet avec facilité l'écoute, la fluidité, la précision dans la posture...